The Studs Terkel Interviews: Film and Theater

The Studs Terkel Interviews Film and Theater The Studs Terkel Interviews Film and Theater collects the Pulitzer Prize winning oral historian s remarkable conversations with some of the greatest luminaries of film and theater Originally published

  • Title: The Studs Terkel Interviews: Film and Theater
  • Author: Studs Terkel
  • ISBN: 9781595583598
  • Page: 306
  • Format: Paperback
  • The Studs Terkel Interviews Film and Theater collects the Pulitzer Prize winning oral historian s remarkable conversations with some of the greatest luminaries of film and theater Originally published under the title The Spectator, this knowledgeable and perceptive Library Journal look at show business presents the actors directors, playwrights, dancers, lyricists, aThe Studs Terkel Interviews Film and Theater collects the Pulitzer Prize winning oral historian s remarkable conversations with some of the greatest luminaries of film and theater Originally published under the title The Spectator, this knowledgeable and perceptive Library Journal look at show business presents the actors directors, playwrights, dancers, lyricists, and others who created the dramatic works of the twentieth century.Among the many highlights in these pages, Buster Keaton explains the wonders of unscripted silent comedy, Federico Fellini reflects on honesty in art, Carol Channing reveals that she is far serious than she lets on, and Marlon Brando turns the tables and wants to interview Terkel We learn about crucial artistic decisions in the lives of Arthur Miller, Tennessee Williams, and Edward Albee and hear from a range of film directors, from Vittorio De Sica and King Vidor to Satyajit Ray We even get to witness Terkel playing straight man to a wildly inventive Zero Mostel Because Terkel knows his subjects work intimately, he asks precisely the right questions to elicit the most revealing responses As the New York Times Book Review noted, Terkel s knowledge and force of personality make him fully a player alongside his famous guests.

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    About “Studs Terkel

    • Studs Terkel

      Louis Studs Terkel was an American author, historian, actor, and broadcaster He received the Pulitzer Prize for General Non Fiction in 1985 for The Good War , and is best remembered for his oral histories of common Americans, and for hosting a long running radio show in Chicago Terkel was acclaimed for his efforts to preserve American oral history His 1985 book The Good War An Oral History of World War Two , which detailed ordinary peoples accounts of the country s involvement in World War II, won the Pulitzer Prize For Hard Times An Oral History of the Great Depression , Terkel assembled recollections of the Great Depression that spanned the socioeconomic spectrum, from Okies, through prison inmates, to the wealthy His 1974 book, Working also was highly acclaimed In 1995, he received the Chicago History Museum Making History Award for Distinction in Journalism and Communications In 1997, Terkel was elected a member of The American Academy of Arts and Letters Two years later, he received the George Polk Career Award in 1999.



    916 thoughts on “The Studs Terkel Interviews: Film and Theater

    • My first exposure to Studs was back in 1999 when the musical based on his book "Working" was produced by the Austin College theater department. I hadn't read "Working" (still haven't) but the premise of the show was that we'd see several musical vignettes, each focusing on an actual person Turkel had interviewed about their jobs. The show was a big success and introduced me to an interesting new writer to look into. A copy of "Working" soon sat on my bookshelf. And like a lot of books I buy, it [...]


    • The construction of this book is a departure from the solid chapter work I've noticed in other books by Terkel. In "The Spectator" he weaves reminiscences of a wide variety of theater and film artists (both in front and behind the scenes) together within chapters, sometimes breaking away from one interview for a brief excerpt of an interview with someone else entirely. Terkel's passion about the art of theater is as far removed from "Entertainment Tonight" as possible. He's not concerned with go [...]


    • A snotty, dismissive piece about Studs in the NY Times which said paper of the establishment's record reserves for effective radicals [commondreams/view/2008] prompted me to both throw the damn paper across the room and vow to read a Terkel volume as soon as possible. Glad I started with this one, it's a treat. Studs's enthusiasm and love of life and art is infectious, and unlike too many interviewers, he came prepared. The interviewees span an impressive gamut of film and theatre people, from Z [...]


    • I actually haven't read EVERY interview in here, as I'm unfamiliar with some of the featured celebrities. But I have read most of them.Most of the interviews aren't very long, but they are almost all extremely effective. It's amazing how much you learn about some of these people in just a couple pages.


    • I got 60 pages into it and didn't find enough stories that I really related to. Perhaps I don't have enough interest in "oral history," because these interviews don't reveal much that I'm interested in. I'd much rather spend time listening to interviews by Terry Gross or Charlie Rose; those folks seem to really connect with and pull out more interesting material.


    • A collection of interviews with creators and performers in film and stage. Several of the pieces were recycled from othe Terkel books. I much prefer many of the other books by the same author. These short pieces were only mildly interesting as they traced old radio conversations between Terkel and an artist temporarily in Chicago for publicity or performance.


    • With insight to spare, this collection of film and theater interviews is second to none. Seriously, if you're interested in the performing arts this is book comes with strong recommendation.


    • Studs Terkel is great no matter the subject. This was a great book. It had interviews with a lot people who I did not know anything about since they were theater people from the 1960's and such.




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